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Writer’s Voice: compelling conversations with authors who challenge, inspire, and inform.
This week, we begin with a look at how Stephen King’s work strikes at the heart of our most basic fears. Caroline Bicks takes us inside Stephen King’s private archives to explore how horror works, and why King’s stories continue to haunt us. Her book is Monsters In The Archives.
“He doesn’t just write about monsters. He’s really writing about human emotions of grief and trauma and using horror as a way to help us metabolize our own very human experiences and fears.”
Then, another kind of fear: the dizzying precarity plaguing so many college graduates. Novelist Maria Adelmann joins me to talk about Adjunct, her darkly funny and deeply unsettling novel about exploitation, debt, and survival inside higher education.
“I wanted to make the point that a few things go wrong — a medical issue, no family support — and you can, even as a professor at a good college, become so poor that you don’t have a place to live.”
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Tags: Stephen King, Monsters in the Archives, Caroline Bicks, Stephen King archive, Pet Sematary, Carrie, Salem’s Lot, The Shining, Night Shift, horror writing craft, adjunct professor, Marie Adelmann, Adjunct novel, contingent faculty, academic precarity, student debt, university adjuncts, adjunct pay, adjunct crisis, Writer’s Voice podcast,
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