Category Archives: Podcast

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Podcast

Greg Palast on Spitzer and the Bank Bailout; also, Field Report on Narrative Journalism

Greg Palast, investigative reporter for the BBC, tells us why he thinks the Eliot Spitzer scandal broke when it did — and what federal prosecutors were trying to keep hidden from the public about the bank bailout by taking Spitzer down.

Here’s a link to a Nation article that tells the story.

Then we go to the Nieman Foundation’s Conference on Narrative Journalism. We talk with broadcast and print journalist John Hockenberry about interactive media, BU journalism department chair Louis Ureneck about memoir, and Nieman narrative program director Connie Hale about what “narrative journalism” is all about.

Podcast

The Open-Focus Brain and Surviving Depression

We talk with biofeedback pioneer Les Fehmi about how to focus the mind and improve productivity and mood. His book is THE OPEN FOCUS BRAIN: Harnessing the Power of Attention to Heal Mind and Body. The book comes with an instructional CD to put the method into practice.

Also, what are the societal roots of depression? How can we use community-building to overcome the disease? We hear from psychiatrist Bruce Levine about SURVIVING AMERICA’S DEPRESSION EPIDEMIC: How to Find Morale, Energy, and Community in a World Gone Crazy.

Podcast

Eric Weitz’s WEIMAR GERMANY

Donald Kroodsma
Donald Kroodsma
Eric Weitz
Eric Weitz

We talk with historian Eric Weitz about [amazon-product text=”WEIMAR GERMANY: Promise and Tragedy” type=”text”]0691140960[/amazon-product]. On the one side, there was Bauhaus, Expressionism, Magnus Hirschfeld and new freedom for gays and women, a vital and experimental theater–in short, an explosion of intellectual and artistic creativity. On the other: hyperinflation, economic depression, and bullies of the left and right rampaging in the streets, setting the stage for the Nazi seizure of power in 1933.

We explore both sides of Weimar Germany and what lessons it may hold for us today.

Also, a preview of Spring…we listen to robins and other birds with renowned bird biologist Donald Kroodsma, author of [amazon-product text=”The Singing Life of Birds: The Art and Science of Listening to Birdsong” type=”text”]0618840761[/amazon-product].

Podcast

Life With Asperger’s

John Elder Robison
John Elder Robison

[amazon-product align=”right”]0307396185[/amazon-product]

We talk with John Elder Robison about his memoir, [amazon-product text=”Look Me in the Eye: My Life with Aspergers” type=”text”]0307396185[/amazon-product]. Brother to best-selling author Augusten Burroughs (RUNNING WITH SCISSORS), Robison has written a sweet, compelling tale about growing up with Asperger’s Syndrome, a high-functioning form of autism. From the inside, he reveals what it’s like to be a misfit, the savant-like talents he feels Asperger’s gave him, and how he overcame the condition’s deficits and celebrated its gifts.

Click here for a Web-only interview extra..

We also talk with Free Press director Josh Silver about new developments in the fight to preserve net neutrality.

Podcast

Black History Month Special

Abijah Prince was born into slavery in the early 17th century in Springfield, Massachusetts, but in middle age, he arranged his own freedom and married (and freed) the dynamic and eloquent Lucy Terry of the nearby town of Deerfield. Against incredible odds, the couple became property-owners and respectable members of the largely white community in which they lived. When author Gretchen Holbrook Gerzina began to follow the legend of the Princes, she was astonished to find that her own ancestors were part of the story. As she unraveled fact from fiction, Gerzina began to realize she was uniquely suited to bring the real history of this extraordinary couple to light. Her book is MR. AND MRS. PRINCE: How An Extraordinary Eighteenth-Century Family Moved Out of Slavery and Into Legend.

Also, when we think of slavery in the U.S., most of us think about the South. But as Anne Farrow, Joel Lang, and Jenifer Frank demonstrate in COMPLICITY, the North promoted and profited from that “peculiar institution”. All journalists with the Hartford Courant Farrow, Frank and Lang drew from from long-ignored documents to create a fascinating and sobering work that uncovers this lesser-known aspect of the history of American slavery.

And we hear an excerpt from a longer archived interview with writer Patricia Klindienst, author of THE EARTH KNOWS MY NAME: Food, Culture, and Sustainability in the Gardens of Ethnic America. She tells us about about the traditional gardens brought by African slaves whose descendants became the Gullah people of the South Carolina Sea Islands.

Finally, award-winning poet Lynn Thompson reads “Grenadine”, a poem about her West Indian ancestors from BEG NO PARDON.

Podcast

Kevin Patterson and John Hanson Mitchell

Kevin Patterson
Kevin Patterson

As a physician, Kevin Patterson treats Inuit communities of the Canadian Arctic. As a novelist, he explores the collision between the old and the new in that region.

[amazon-product align=”right”]0307278948[/amazon-product]

His debut novel [amazon-product text=”CONSUMPTION” type=”text”]0307278948[/amazon-product] richly details the life of the Inuit as they transition from traditional nomadic life to settlement in towns built for them by the Canadian government. It tells the story of one family across three generations as its members make this transition, the uneasy peace they make with modern society, and the connections and tensions between them and the Kablunuks— or whites — who come to work in the Arctic.

Patterson is also editor of a forthcoming book about his work with refugees in Afghanistan. His Mother Jones article about his work can be found here.

John Hanson Mitchell
John Hanson Mitchell

Also, John Hanson Mitchell tells us about his search to solve the mystery surrounding the African American servant of a famous 19th century ornithologist. It’s the subject of his 2005 book, [amazon-product text=”Looking for Mr. Gilbert: The Reimagined Life of an African American” type=”text”]1593760264[/amazon-product].

[amazon-product align=”right”]1593760264[/amazon-product]

When Mitchell found more than two thousand antique glass plate negatives in the attic of an old estate in Massachusetts, he thought at first they had been created by ornithologist William Brewster, a Boston Brahmin of the highest rank. But then, Mitchell began to have questions. They led him on a journey to uncover the history of the man who may very well have been the first major wildlife photographer, a little-known African American named Robert Alexander Gilbert.

Mitchell is editor of Sanctuary, the magazine of the Massachusetts Audubon Society .

Podcast

Novelist Geraldine Brooks and Poet Laureate Al Young

[amazon-product align=”right”]0143115006[/amazon-product]

Geraldine Brooks
Geraldine Brooks

Geraldine Brooks tells us about [amazon-product text=”PEOPLE OF THE BOOK” type=”text”]0143115006[/amazon-product], a novel based on the history of the Sarajevo Haggadah. This remarkable novel takes us through time and across Europe to uncover the story of a fourteenth century Jewish book that survived the exile, wanderings and persecution of its owners. One of the most valuable manuscripts in existence today, the Sarajevo Haggadah was rescued twice by its Bosnian Muslim curators — from the Nazis in 1944 and from Serbian shelling of Sarajevo in the early 1990’s. It now rests in the National Museum of Bosnia and Herzegovina in Sarajevo.

Al Young
Al Young

[amazon-product align=”left”]1402210647[/amazon-product]

Also, we talk with California Poet Laureate Al Young about his new book-and-cd set, [amazon-product text=”SOMETHING ABOUT THE BLUES: An Unlikely Collection of Poetry” type=”text”]1402210647[/amazon-product]. Young is a celebrated African-American poet, novelist, essayist and musician who connects his poetry with the vibrant music of the Blues. He writes: “Music — with which poetry remains eternally intimate — seems a dead ringer, as it were for life. And while each also seems invisible, I always catch myself asking: What is life but spirit; spirit-thought made hearable, seeable, smellable, touchable, and delectable?”.

Podcast

Russell Banks and Tahmima Anam

Russell Banks

Acclaimed novelist Russell Banks tells Writer’s Voice about his new novel, THE RESERVE. We also talk with Tahmima Anam about her terrific debut novel, A GOLDEN AGE.

Russell Banks

Russell Banks’s new novel THE RESERVE is “part love story, part murder mystery”. Taking place in 1936, not long before the World War II, the novel explores questions of class, politics, art, love, and madness. Set in an exclusive wilderness enclave held by families of New York’s highest society as a vacation playground, the novel’s action follows what happens when two intertwined couples violate social conventions and their own morals to follow the dictates of their hearts. Russell Banks is one of America’s best known novelists. He’s the author of many books, including Affliction, Cloudsplitter, and The Sweet Hereafter, which was made into a movie directed by Atom Egoyan. He’s a member of the American Academy of Arts and Letters, and his work has received numerous international prizes and awards. He lives in upstate New York.

Tahmima Anam

Tahmima Anam

When Tahmima Anam went back to her native Bangla Desh to do research for her doctoral thesis in anthroplogy, she gathered testimony from scores of survivors of Bangla Desh’s 1971 War of Independence from Pakistan. The conflict occurred four years before she was born, and she left the country at the age of two, living in Europe and America and eventually attending Mount Holyoke College right here in western Massachusetts. Her novel, A GOLDEN AGE, returns to Bangla Desh’s struggle to become independent to tell the story of one family: a mother and her two children, both on the brink of adulthood. Rehana Haque is drawn by her children into the struggle, partly to pay off a decade old-debt to them. A debt incurred, Rehana feels, when she had to give them up for several years after she was widowed. The novel is a sensitive foray into the bonds of family and patriotism, in the best sense of the word, and how they intersect.

Podcast

How Everyday Products Make Us Sick

Dr. Devra Davis
Dr. Devra Davis

We look at the environmental causes of illness and how the truth about them is being distorted and suppressed.

[amazon-product align=”right”]0465015662[/amazon-product]

Environmental health expert Dr. Devra Davis tells us about [amazon-product text=”THE SECRET HISTORY OF THE WAR ON CANCER” type=”text”]0465015662[/amazon-product]. She says 95% of all cancers are caused by our environment—and that powerful special interests have colluded with government and watchdog organizations like the American Cancer Society to sow doubt on longstanding research proving that. Davis is director of the Center for Environmental Oncology at the University of Pittsburgh, where she also teaches epidemiology.

[amazon-product align=”left”]0520248821[/amazon-product]

And click here for a Web-only extra: Debra Davis tells Writers Voice the truth about the sugar substitute aspartame and its link to cancer. She also says that peer-reviewed studies have shown that ritalin and other treatments for ADD may boost the risk of cancer, too.

We also talk with occupational health physician Dr. Paul Blanc. He tells us about his book [amazon-product text=”HOW EVERYDAY PRODUCTS MAKE PEOPLE SICK: Toxins at Home and in the Workplace” type=”text”]0520248821[/amazon-product].

Podcast

EVERY PAST THING and AMERICAN BLOOMSBURY

We talk with author Susan Cheever about AMERICAN BLOOMSBURY and Pamela Thompson tells us about her debut novel, EVERY PAST THING.

Today’s show begins in the early nineteenth century and ends in that century’s last year-November, 1899. We start our time travel with our first guest Susan Cheever. She takes us to Concord, MA where a “genius cluster” of great American writers gathered around Ralph Waldo Emerson. Her book is AMERICAN BLOOMSBURY: Louisa May Alcott, Ralph Waldo Emerson, Margaret Fuller and Henry David Thoreau: Their Lives, Their Loves, Their Work. She says these writers, popularly known as “The Transcendentalists”, invented a new form of American literature that often came from the yearnings, erotic passions, and disappointments they so deeply felt. Cheever tells us about the ambivalent relationship between Emerson and Thoreau, how Nathanial Hawthorne turned his despair into THE SCARLET LETTER and why Louisa May Alcott began writing LITTLE WOMEN. The daughter of the American writer John Cheever, Susan Cheever is the also the author of the memoir AS GOOD AS I COULD BE, published in 2001, as well as numerous other books.

“Every past thing becomes strange.” That’s how the protagonist of Pamela Thompson’s debut novel EVERY PAST THING begins the journal she writes within the book. Mary Jane Elmer is a young woman in 1899 who’s come to New York from Shelburne, Massachusetts with her husband, the painter Edwin Romanzo Elmer. She and Edwin are still mourning the death of their young daughter, Effie, but Mary Jane’s thoughts are also taken up by her romantic longings for a young student with whom she had a brief encounter 10 years before. Thompson’s novel covers only the course of a week, but the boook’s depth and beautiful prose takes the reader on a far and satisfying journey. Pamela Thompson lives in western Massachusetts.

Podcast

EVERY PAST THING, by Pamela Thompson

EVERY PAST THING, by Pamela Thompson

(excerpt by permission of the author and publisher)

Publisher: Unbridled Books; 1 edition (September 29, 2007)

It isn’t like they say—whoever they be—about Death, or about Knowledge.

That is Edwin’s first thought, on his back, under the apple tree, looking up at the blue sky. The frightening, dear sky. If he is dead, then life has not been so unusual. Is not so strange? Is not so different? The sky, with wisps of clouds like the feathers poking through his pillowcases. These wisps, he sees first. These wisps, and then a spinning darkness, all this world a spinning darkness and the wisps flecks, dancing. He might have caught the branch. He should have been able to catch the branch. But he had not even tried. He had not thought it—necessary. He had leaned—far. He must have been holding to a thin branch overhead, and to the hand-saw. He must have leaned. He must have leaned—too far. He was confused. Up down and down up, and in that case what is gravity, or the distinction between one being and the next. It was as if he were apple tree, as if he grew out of the trunk, a branch from the trunk, which grew from the earth, so heading toward the earth no different from growing out of it. He must have—he opens his eyes again to the sky, the wisps—he must have been holding on to the branch he cut. He must have cut off his own support. He tries to lift his arms to see how he had held them in the air, the saw in his right hand, left hand choosing the branch to prune—but his arms are too heavy, the confusion of lifting and arranging them too great.

So much effort. And the world would not have cared a whit whether some hypothetical apples might one day next spring have had their start in pink-white buds in the space he had made for them in the upper reaches of the tree. He will not see the spring. And that, too, an inconsequence. That one apple falls or a man lives or dies. He in his orchard. Others—elsewhere. Elsewhere, where the river rushes toward the falls, and farther, in all the cities and places he has never been.

I am so small,” he says. “So small.”

His words, barely a whisper, do not ruffle the air, do not make any more dent in the landscape than the fallen branches. Tiny nubs of green that will not unfurl. He wants to laugh—to see things come to this. Trees, limbs, ground. That is—he feels laughter in him, but no sound comes.

He will stay on the ground. Unless Mary rescues him. But she will not notice his absence until dinner. No reason for it. And it will turn dark before then, so he’d better save breath enough to call out when she comes looking. By then he may not be—

The ground is so cold. His limbs start to shake. He must be alive. Death surely a more significant rupture. He lives—or he cannot explain the facts: the sky, the cold, his shivering. He laughs, but no sound comes. The sky floats above and he is pinned below, captive, a chattering form upon the earth. If he cannot get himself up, he will die here.

I will die here,” he tries aloud.

But his words do not rend the air. He knows that. Knows that this is the end, and is surprised to find that death is so funny. But a private joke. After all—this. What all foolishness comes to. A figure prone upon the earth. He might have left the last tree a bit shaggier than the others.

Yet why not die? He had not known before how easy it would be. He sees how she could have slipped from them so quietly. Though not like sleep. Not a closing like that, but—something else. His bones shake so hard he is—are—pieces. Pieces see through skin to separate bones, feel each distinct from every other, as if he have not sinew or muscle or flesh. He know then, has not broken the sticks and pegs that hold him together. Failure not mechanical. Something else. Dissolution of the spirit. Shattering of—self. He is not—what he had thought himself to be.

He draws a great gasp of air. Arms try again—lift. This arm, this hand with fingers, must have dropped the saw. Fingers bend and unbend: Try to hold. Roll bones to one side. Knees tuck. Gather self. Must gather self. All selves. Laughs again, but no sound comes. Miracle all along it had been. Miracle all along to have held himself in one body. Parts could so easily have gone off on their own, kept their own time. (Something multiplies deep inside him.) Grass blades poke eyes. Other parts, probably, but they do not report. Only eyes mind. Sharp. Strips of viridian too blue. Gold and pink if sun slant under trees. Sun slant and wrap him. Sun slant and wrap and turn him into the earth.

Podcast

Norman Solomon and Valerie Martin

Valerie Martin
Valerie Martin
Normon Solomon
Normon Solomon

We talk with veteran journalist and commentator Normon Solomon about his memoir, [amazon-product text=”Made Love, Got War: Close Encounters with America’s Warfare State” type=”text”]0977825345[/amazon-product].

Read an excerpt of his book here.

Also, we talk with novelist Valerie Martin about her wonderful new novel, [amazon-product text=”TRESPASS” type=”text”]1400095514[/amazon-product]. Some of Martin’s other novels include [amazon-product text=”The Confessions of Edward Day” type=”text”]0385525842[/amazon-product] (2009) and [amazon-product text=”Mary Reilly” type=”text”]0375725997[/amazon-product].

Podcast

DEEP WATER and DAM NATION

We examine water policy: functional and dysfunctional approaches. Journalist Jacques Leslie talks about DEEP WATER: The Epic Struggle Over Dams, Displaced People and the Environment.

And gray water activists and editors Cleo Woelfle-Erskine and July Oskar Cole tell us how we can conserve water. The book they edited, along with Laura Allen is DAM NATION: Dispatches From The Water Underground.

Podcast

Frances Moore Lappe on GETTING A GRIP and more…

Ever since her ground-breaking book, DIET FOR A SMALL PLANET, Frances Moore LappÁ© has been showing how each of us can change the world for the better. We talk to her about her latest, GETTING A GRIP: Clarity, Creativity & Courage in a World Gone Mad.

Also, we play a clip from a Writer’s Voice field trip: Susie Patlove reading from her new chapbook, QUICKENING.

(Apologies: the audio for this episode is temporarily unavailable.)