Christian McEwen tells us about taking it slow in WORLD ENOUGH & TIME; we talk with Jane Brox about the evolution of artificial light; and we also hear a Winter Solstice story by host Francesca Rheannon, “The Food Philosophe”.
In the spring of last year, Christian McEwen interviewed the poet, Marianne Boruch when she came to Smith College for its poetry reading series. Boruch is the author of seven volumes of poetry, as well as two volumes of prose. She was born in Chicago, grew up in a Polish Catholic family, and was already writing poems by the time she was in high school. Her work is strongly influenced by her Catholic childhood, as well as by her love of nature, and her interest in dreams. “I think we get into a dream state when we are writing,” she says. “We drop down under the surface and connect with that other realm.”
“I’d like to say I’m of the begging bowl theory of poetry. You put out your begging bowl and see what drops into it. I really don’t want to know where the poem is going. And of course revision is a great thing. You get a draft and start tinkering and find out where it really wants to go.”
Boruch currently teaches in Purdue University’s MFA program, and through the non-residential program for writers at Warren Wilson College. Her most recent book is [amazon-product text=”GRACE, FALLEN FROM” type=”text”]0819569534[/amazon-product].
This interview is part of a series of interviews of poets Christian McEwen is doing, called Sparks from the Anvil. Writers Voice is hosting several of the interviews. Sparks from the Anvil features poets who appear at Smith College’s poetry reading series.
Guest host Christian McEwen talks with Welsh poet Gwyneth Lewis and Francesca Rheannon talks with Marshall Jon Fisher about one of the greatest tennis matches ever played: the 1937 Davis Cup final at Wimbledon. His book is A Terrible Splendor: Three Extraordinary Men, a World Poised for War, and the Greatest Tennis Match Ever Played. Continue reading
Guest host Christian McEwen interviews Paul Muldoon, poet and poetry editor of The New Yorker. And Francesca Rheannon talks with the director and cast members of a new production of the documentary play Voices in Conflict. It’s being presented by the New Century Theatre in western Massachusetts. Continue reading