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Writer’s Voice: compelling conversations with authors who challenge, inspire, and inform
Episode Summary
This week on Writer’s Voice, we explore New York from two perspectives: its dramatic colonial origins and its modern-day extremes.
First, historian Russell Shorto reveals the pivotal moment when Manhattan shifted from Dutch to English hands—and how that “merger” shaped the DNA of America—in his new book Taking Manhattan. He shares stories of the people who lived through this transition, including enslaved Africans, Native Lenape, and early advocates of religious toleration, showing how pluralism and capitalism were baked into New York from the start.
“The 1664 English takeover of Manhattan was an episode everybody knows about and nobody knows about.” — Russell Shorto
Then, novelist Chris Pavone takes us to a luxury building on the Upper West Side in The Doorman. It’s a propulsive tale of secrets, love, and survival, laced with biting social commentary on wealth inequality, performative progressivism, and the price of ambition.
“If you have a billion dollars and everyone you know has 50 billion, you’re unhappy.” — Chris Pavone
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Key Words: Russell Shorto, Taking Manhattan, New Amsterdam history, English takeover of Manhattan, Lenape history, slavery in New York, Chris Pavone, The Doorman,
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[transcript will be available soon]

Segment 1: Russell Shorto
Russell Shorto brings to life the 1664 English takeover of Manhattan, a turning point that could have changed the course of history.
Through newly translated Dutch records, he reconstructs the tense standoff between Peter Stuyvesant and Richard Nichols—and the “merger” that created New York.
We discuss the Dutch influence on pluralism, early capitalism, slavery, and the role of the Lenape Nation in this history.
Key Topics:
- Why the English-Dutch handover was “an episode everybody knows about and nobody knows about”
- Native Lenape perspectives and the $24 “purchase” myth
- How Dutch policies of toleration and trade seeded America’s diversity and capitalism
- The role of the Dutch West India Company and the global slave trade
- Individual stories: Asser Levi, Dorothea Angola, Peter Stuyvesant
- New York’s pluralism vs. Puritan ideology—and the ideological divide shaping America today

Segment 2: Chris Pavone
Chris Pavone’s The Doorman is a darkly funny, razor-sharp portrait of money, ambition, and moral ambiguity in today’s New York.
We meet three central characters—Chicky, the loyal but debt-burdened doorman; Emily, an art-world insider married to obscene wealth; and Julian, a cultural gatekeeper questioning his relevance.
With a plot full of twists, Pavone explores class inequality, performative liberalism, and the illusion of choice.
Key Topics:
- Why Pavone calls this a “New York novel for now”
- The inspiration behind Chicky, drawn from a real-life doorman
- How extreme wealth warps morality and identity
- Liberal ideals vs. illiberal politics on the left
- Structuring suspense: withholding, revelation, and slow-burn tension
- Why New York remains the ultimate stage for American contradictions