Stuart Horwitz talks about his book architecture method of organizing and revising any manuscript. His book is BLUEPRINT YOUR BESTSELLER. Then Rajesh Parameswaren discusses his new story collection, I AM AN EXECUTIONER: LOVE STORIES; finally, Drew Adamek reviews Ismail Kadare’s The Fall of the Stone City.
It’s one of the most frustrating parts of writing — how to structure and organize all the different elements of a book, or even an article, short story or script. How to get a plot line that holds suspense, or weave together different ideas to make one overarching theme that makes your work an integral whole? In other words, how to construct your writing project as a house that is something both you and the reader will enjoy living in?
Stuart Horwitz has written a book designed to help you do just that, Blueprint Your Bestseller: Organize and Revise Any Manuscript with the Book Architecture Method. He devised his “book architecture” method over his years as an editor, book coach and ghostwriter. In his book, Horvitz creates an approach he says can help any writer of any genre get his manuscript into polished form.
Stuart Horwitz is an award-winning essayist and poet. He has taught writing at Grub Street of Boston and Brown University and consults with writers through the company he founded, Book Architecture. You can find out more about his method at www.bookarchitecture.com/
Rajesh Parameswaran’s debut short story collection, I Am An Executioner, is a darkly funny and sometimes harrowing exploration of the power of love. The nine stories in this collection range from a tiger who discovers the destructive power of love to an executioner trying to get his new bride to understand his job to an immigrant women coping with the death of her husband on Thanksgiving to an alien father trying to raise a teenage daughter on an alien planet hundreds of years in the future.
It’s always difficult to say what a short story collection is “about” because there are so many stories and narratives contained within but I Am An Executioner is about the most basic concerns that we all share. Richly written with humor and a deep humanity, this collection looks at what it means to love and to be concerned with the fraility of human connection. Parameswaran creates a world in which the reader both sympathizes with animals, killers, and aliens and yet doesn’t really notice that they are aliens or animals.
It is a testament to Parameswaran’s skill as a writer that what his characters experience is relatable and touching for the reader, no matter who or what they are. It is not the characters’ differences from the reader, of which there are many, that carry this collection but the commonalities of experience that runs through each of these stories.
Parameswaran’s stories have appeared in McSweeney’s, Granta and his story, “The Strange Career of Dr. Raju Gopolarajan” won a National Magazine Award. I Am An Executioner is his debut collection. He is currently working on his first novel.
Drew Adamek reviews The Fall of the Stone City, by Ismail Kadare
History is a quirky thing. Understanding history is a lot like the parable of the blind men and the elephant: depending on your vantage point, history can be a victory, a defeat, a holocaust or a glorious defense of the homeland.
And that seems to hold for personal history as well as big picture social, political and national histories. The lover you remember so fondly becomes a bitter pill after they marry your best friend; the heroic war protestor becomes a traitor to the cause when a secret relationship with the FBI is uncovered; the great writer is vilified with the discovery of plagarism.
So how does one go about comprehending a history, both personal and national, that is constantly shifting with the vagaries of time, distance, and circumstance? How can you be certain of what really happened, even in your own life, when how you interpret the past is dependent of where you are standing in the present?
Ismail Kadare examines this question in his novel, “The Fall of The Stone City” with a biting satirical wit and an aching sadness. Out for the first time in English translation, the novel is an complicated intellectual treat, a bitingly funny satire and a heartbreaking tragedy at all once. Ismail Kadare, an Albanian, is considered one of Europe’s best writers and his work has won the Man Booker prize and he has been a Nobel candidate several times.
The book opens on the small Albanian town of Gjirokaster in 1943 as it prepares for the Nazi invasion from Greece after the capitulation of the occupying Italians. Gjirokaster is a provincial, medieval town closed up against its neighbors and isolated by a sense of nationalistic entitlement. The Germans approach the main gates of the walled city and are fired upon by unknown assaillaints.
In retaliation, the Germans prepare a bombing campaign but just as it begins, a white flag is seen over the town. The Germans stop the bombardment but storm the town and take 100 prisoners, threatening execution if the assailants aren’t identified.
Just as the Germans are rounding up prisoners, a strange scene unfolds in the town square. One of the town’s most prominent citizens, Dr. Gurameto, meets with the German commander and invites him to dinner. It seems as if the German Colonel and Dr. Gurameto were college roommates and long lost friends.
Dr. Gurameto cuts a strange figure. Aloof, rigid and highly accomplished, he is not the only Dr. Gurameto in town. The first is known as big Dr. Gurameto while the another, unrelated Dr. Gurameto, known as the little Dr. Gurameto. Before the Germans invaded, the favorite sport of the town was to compare the two doctors on their perceived merits and. Half of the town favors the Big Dr. Gurameto and half the little Dr. Gurameto; depending on the day’s events one camp triumphs over the other in the war of words.
The dinner with the German colonel seems to seal the town in Big Dr. Gurameto’s favor. Over the course of the dinner, which is shrouded in mystery, the Germans slowly release all 100 prisoners, including the town’s most prominent Jew. Based on an agreement that no party understands or shares, the Germans agree to let Gjirokaster be left unharmed.
And there Kadare sets up his novel. There are three unkowns that the book sets out to solve: who waved the white flag, who fired on the Germans and what really happened at the dinner at Dr. Gurameto’s house?
And the answers change throughout the book depending on how and where one ponders them. The book follows Dr. Gurameto and the town for ten years, into the rot of communist rule to trace the evolving understanding of what happened so many years ago.
During the German occupation, the Albanian nationalists are convinced the communists are the culprits and after the communists take power, the nationalists are to blame. All of the town’s sacred cows fall from grace as Kadare , with keen satire, skewers the blind institutional certainty and petty jealousies that shape history.
Dr. Gurameto is first hailed as a hero but as communist revisionism and paranio slowly take over he is slowly turned into a villain and arrested as part of a plot to kill Stalin. It is in the final third of the book, during his interrogation that Kadare reveals the secrets of the dinner.
Answering the question of what exactly happened at the dinner would ruin the novel, so I will leave it at this: what happens to Dr. Gurameto in his past and in his present are shocking and grievous, both unbelievable and unjust. In an amazing feat of intellectual and narrative dexterity, Kadare takes the ironies of fate, intertwines them with the fickle nature of self-protective narratives and smashes them on the impersonal destructiveness of bureaucratic institituions.
But more than the story of Dr. Gurameto, The Fall of The Stone City is a parable for the difficulty with reconciling Albania’s complicated political and social history. For those interested in untangling history generally, and Balkan history specifically, there can be no more tragic and insightful place to start than The Fall of the Stone City.